CoolNewsletter4Writers

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Volume 1, Issue 1

June 6, 2005

In this issue

·  Who Stole My Phone Booth? by Tiffany L. Sanders

·  Revising Your Manuscript: Fourteen Questions to Ask Yourself by Dara Girard

Welcome Everyone!

We hope you're all well and writing. I've been writing, but don't seem to be getting anywhere. I wrote four first chapters over the past couple of weeks...for the same book! That's about 80 pages...too bad 60 of them weren't for subsequent chapters. I could have been a quarter way through the story! Oh well, I hope you're all being more productive!

This month we're having our first contest. The winner will receive a "Cool Stuff Gift Pack" valued at $25.00 The winning entry will also be placed on the site and in the July newsletter. For details go to: http://www.coolstuff4writers.com/June_Contes t.html Have fun with it and best of luck!

For the month of June we're having a "Cool Sale" on T-Shirts, Sweatshirts, Koozies and Mugs. Up to 50%OFF! So be sure to check out the store. New items will be added throughout the month, too. You can view our Cool Stuff at http://www.coolstuff4writers.com/Merchant2/ merchant.mvc?Screen=SFNT&Store_Code=C

We have an interview with UCLA Screenwriting Professor Hal Ackerman. His book Writing Screenplays That Sell...the Ackerman Way is a great book filled with advice and encouragement. To read the interview go to http://www.coolstuff4writers.com/Interviews/H al_Ackerman.html

Coming later this month is an interview with Andrew J. Lala. Andrew is an extraordinary talent. His first book Lash & Luster is coming soon. Andrew not only writes, he's also an accomplished musician, artist and photographer. I often wonder if there's anything this guy can't do! Andrew travels the world with myriad recording artists' and it's on these travels where he finds inspiration for his photography, art and writing. To learn more about Andrew you can go to his website:http://www.lalaproductions.com If you would like to see a sneak preview and/or order a copy of his book go to: http://www.authorhouse.com/BookStore/ItemD etail~bookid~27891.aspx

We hope you enjoy the two articles in this issue. The first one is by Tiffany L. Sanders who proves dreams do come true. If you have kids, you'll smile, too. The second one by Dara Girard is a series of questions to ask yourself when revising your manuscript for publication.

That's it for now...Take care! Sandy & Sean

Every writer is a frustrated actor who recites his lines in the hidden auditorium of his skull. --Rod Serling

 

Who Stole My Phone Booth? by Tiffany L. Sanders

Who Stole My Phone Booth?

Unthinking, I answered my cell phone in Wal- Mart. We were buying supplies for the Daisy Girl Scout meeting that night and I was absorbed in the variations of color and shape in the sequin packets when I found myself absently saying hello to a musician who's been making appearances on the Australian equivalent of the Billboard Top 40 for more than thirty years.

I was a teenager and Rick Springfield was a superstar when I decided, more than twenty years ago, that I was going to write his biography. I guess that makes me living proof that teenage dreams come true...but somehow I thought it would be different. I thought I would pack the lunches and distribute the milk money and sort the homework and drop off the kids, and then I'd transform from "Mom" into "Biographer to the Stars" like Wonder Woman spinning away Diana Prince. I'd buy the right clothes...except that when I went out to do that, I stepped out of the dressing room to hear my mother laughing. "I wouldn't wear the Velcro gym shoes," she said, "they kind of mark you as a soccer mom." I'd fly off to Los Angeles to do interviews...except that when I did that, I had to call home three or four times a day. I'd meet the coolest people...except that I already knew the coolest person, and I didn't have to fly anywhere to see her.

I wanted to be a superhero. I really did. But I couldn't find my phone booth.

My daughter was everywhere, and when I stopped and thought about it I realized that there was a simple reason for it: I wanted her there. Being a mom was an important part of who I was, and my daughter was just about the most important thing I could imagine. In an earlier age, that might have meant making a choice, but the logistics were manageable. The issue was one that apparently existed only in my own mind, an idea that it was somehow unprofessional to be a mother.

When I'd been teaching, I had never given it a thought, blithely standing before pre-law students with a bunny sticker on my jacket and calling home during the break to say goodnight. But the "Biographer to the Stars" I envisioned wouldn't wear Velcro gym shoes, not even to the grocery store. She could fly away on a moment's notice without having to worry over childcare, and she would never be hiding a chocolate handprint behind her lapel. She would not reach into her bag for a pen and come out with a crayon, nor would there ever be a My Pretty Pony in the pocket of her dress coat. Not even a very small, unobtrusive yellow one.

The news flash that shouldn't have been a news flash is that most people are parents. On the loading dock behind the EFX Theatre at the MGM Grand in Las Vegas, I interviewed an actress/musician who had just released her first solo CD. At the end of the interview she took my hand and led me to her dressing room saying, "I have to show you my son." In Los Angeles my interview with a record producer with more than two decades of success behind him was interrupted briefly while he made sure that his teenage daughter had sunscreen on before she left for the beach. At a concert in Chicago the bass player brought his four-year-old son out to play the drums. I began to suspect that many people had Velcro gym shoes hidden in their closets. Not long afterward, I realized that just as many people kept them on a mat in plain view of the front door.

I happily tucked that knowledge into my pocket alongside the glow-in-the-dark plastic alien and took to the road again, this time secure in the knowledge that the glamorous people I met along the way would understand--and maybe even approve--when I reached for a business card and came out with a gap- toothed first grade portrait instead.

Tiffany L. Sanders is a non-practicing attorney, former business college instructor, and teacher trainer for a national educational corporation. She currently devotes most of her time to writing and caring for her eight-year-old daughter. She is the author of Rick Springfield: A Lifetime in Music, and is at work on a second book, What Every Woman Needs to Know BEFORE She Files For Divorce.

Revising Your Manuscript: Fourteen Questions to Ask Yourself by Dara Girard

Revising Your Manuscript: Fourteen Questions to Ask Yourself
By Dara Girard

1) Can you summarize the story in about a sentence or two?

Example:

Three daughters try desperately to save their father from his conniving new wife.

A cop has to fight a losing battle with the bottle and discover the identity of a serial killer.

2) Have you checked spelling, grammar and formatting?

Make the editor's job easy and you'll be ahead of the game.

3) Is your hero/heroine interesting or someone readers will be interested in?

The reader has to care about what happens to this character.

4) Does the story start with a hook, an interesting question that will draw the reader in?

Read the first sentence of many of your favorite books. How did the authors draw you into their worlds? Also please remember the type of story you are telling. Don't write a beginning sentence just for shock value; make sure it fulfills the promise of the story.

5) Did one or more of your characters change throughout the story? If not, was that on purpose? People usually like to see a character arc, someone achieving their goal or reaching enlightenment.

Stories are usually about a person and a problem. Once the problem is solved (or unsolved) how does that affect the character? Good or bad the reader wants to know.

6) Have you mastered point of view?

If you get confused, you're in trouble.

7) Does your dialogue move the story along? Does everyone sound like themselves or could readers interchange them?

8) Is there tension throughout the story?

Every story has moments of low tension, but if you have a four-page description of how a character brushed his teeth you had better be one heck of a stylist and stick with writing literary fiction. Popular fiction readers will likely set your book aside with a quick flick of the wrist.

9) Is there unanswered conflict until the end?

Leave the reader curious about something whether it is the first name of a key character or the resolution of a subplot.

10) Does every scene matter?

Again the teeth brusher.

11) Does everyone have a motive that counts?

Whether it is the hero, villain or sidekick, it helps the story if the reader is able to understand the actions of each character. If everyone has a viable motive, it also heightens the tension.

12) Does each chapter drive the story forward offering more information?

13) Does the ending do what it's supposed to?

Mystery writer Mickey Spillane said, "The first page sells the books, the last page sells the next book."

14) Do you like your story?

I hope so because in the world of publishing you need to be your book's greatest champion.

Dara Girard is the author of three novels and a member of Romance Writers of America and Novelists Inc. You can find more articles and links for writers at her website: http://www.daragi rard.com

Article Source: http://EzineArticles.c om/

 

Remember: If you have any exciting news you'd like to share with us, e-mail me at sandy@coolstuff4writers.com

We hope you enjoyed this issue. Until we meet again...stay well...stay cool...and stay in your write mind!

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